đď¸ Grammar Hill I Will Die On: A Ranking of 14 Punctuation Marks
Because not all punctuation marks are created equal. Some are noble warriors of clarity, while others lurk in the shadows, waiting to confuse, annoy, or cause grammatical chaos. Here's my highly opinionated, emotionally charged, and absolutely final ranking of the punctuation pantheon.
1. The Em Dash (â)
The drama queen we need.
Elegant. Versatile. Has range. Can separate, connect, interrupt, and clarify. Itâs the punctuation equivalent of walking into a room and flipping your cape over your shoulderâtwice. Rose to popularity with the onset of AI.
Hill Status: Fortified with snacks and a thesaurus.
2. The Period (.)
Silent but deadly.
Understated, essential, and definitive. Doesnât crave attention, just ends things cleanly. Itâs the punctuation equivalent of a mic drop.
Hill Status: Stable, reliable, and probably holding up the whole mountain range.
3. The Comma (,)
Delicate dance partner or chaotic gremlinâdepends on the day.
Lifesaver in lists. Breath-giver in long sentences. Serial comma? Yes, always. Misused constantly, but thatâs not its fault.
Hill Status: Beautiful, but booby-trapped with Oxford comma debates.
4. The Semicolon (;)
Wants you to know it went to college.
The punctuation equivalent of someone who insists on using words like âthereforeâ in casual conversation. Desperately trying not to be replaced by a period.
Hill Status: Elegant, if slightly pretentious. Iâll die here in a turtleneck.
5. The Question Mark (?)
Rhetorical weapon and emoji workhorse.
Ends every email with an existential crisis when overused. In writing, itâs clear and effective. In texting, it can sound like youâre mad.
Hill Status: Tilted sideways, like my head when I read your text that just says âokay?â
6. The Exclamation Mark (!)
Excited! About! Everything!
One is enthusiasm. Two is concern. Three is unhinged. Be carefulâthis one goes feral fast.
Hill Status: Sparkly and unstable. Bring glitter. And caution.
7. The Colon (:)
Always setting things up.
Never the star, but a solid supporting character. Itâs the drumroll before a list or dramatic reveal. And it knows it.
Hill Status: Straightforward. Probably wearing a utility belt.
8. The Parentheses ( )
(Muttered commentary, sarcasm, or bonus trivia.)
These whisper secrets inside sentences. Theyâre optional, but often delightful. When overused, your writing starts to sound like it's trying to whisper over itself.
Hill Status: Hidden behind the hill, making side comments.
9. The Apostrophe (â)
Possessive, contracted, and occasionally a gremlin.
Essential for clarity. Often abused. The âits/itâsâ debacle alone has claimed more writers than any battle in history.
Hill Status: Strewn with corpses labeled âit'sâ when it shouldâve been âits.â
10. The Quotation Marks (â â)
âSays who?â â These guys.
They do important work, but theyâve also been hijacked by sarcasm, air quotes, and confusing placement rules (looking at you, punctuation-inside-or-outside-quotation-mark wars).
Hill Status: In constant turf war with British punctuation placement rules.
11. The Ellipsis (âŚ)
The eternal pauseâŚbut whyâŚ
Great for dramatic trailing thoughtsâŚor ominous tensionâŚbut also the go-to for passive aggression in textsâŚ
Hill Status: Slow declineâŚinto ambiguityâŚ
12. The Hyphen (-)
Holding it all togetherâbarely.
It tries its best. Itâs not an en dash. Itâs not an em dash. Itâs justâŚhere. Doing what it can. Often confused, frequently forgotten.
Hill Status: A minor bump on the road to more interesting punctuation.
13. The Interrobang (â˝)
What even is thisâ˝
A lovable oddity. It screams âWHAT?!â but in a fun, confused, probably caffeinated way. Not accepted by most keyboards. Tragic.
Hill Status: Somewhere in a forgotten typewriter, yelling into the void.
14. The Slash (/)
Indecisive but efficient.
Friend/foe. Yes/no. He/him. It gets the job done, but rarely with elegance. Looks cooler in URLs than in prose.
Hill Status: Still trying to pick a side.
Feel free to disagree, but know this: I will absolutely defend the em dash with a dictionary in one hand and a stack of citation-studded essays in the other